HOW REAL ARE THE REAL HOUSEWIVES OF ATLANTA?

HOW REAL ARE THE REAL HOUSEWIVES OF ATLANTA? 

I have been watching the latest season of The Real Housewives of Atlanta. I feel like I am watching Generations an all–black soap opera that ran on NBC 1989 to 1991. The clothes, the glamor, the bitchiness, the over the top acting, even the soft focus and make-up for the diva stars take me bring back the days of Dynasty, except it is shot on video tape instead of film. The difference with those soap operas and The Real Housewives is that we are expected to believe one is real and one is not. I think we have milked that cow for as much fresh dairy as we are going to get. Housewives reached it’s real highpoint season two with the infamous party planner, Anthony Shorter. There was nothing scripted or fake in that fiasco. Anthony Shorter pulled the wool over Sheree’s eyes, well at least temporary. Funny thing is, he did that to me, so I know. "That's right, BOOO"

Keep an Eye Keep an eye On your close friend

'Cause what you got they'll make you lose 

And then turn around and step in your shoes

I say they'll turn around And step in your shoes 

(From the Diana Ross & the Supremes Love Child album, 1968, and the Diana Ross album, 1970) 

Every famous person has both tales of success and tales of projects gone awry. Diana Ross had a concert debacle in 1983 when she held a free show in Central Park. The Showtime cable channel aired it live, and the revenue from the broadcast was supposed to go towards building a playground in Diana’s name. On the day of the show, not long after the performance began, rain started to pour down in an unforgiving torrent. The show was postponed until the next day, and on that day it drew over 500,000 people. Unfortunately, such a large and loosely policed crowd proved an easy target for muggers. Over a hundred people reported robberies during the second show, and some even reported assault. The city of New York incurred a number of lawsuits from victims of the attacks, who claimed that the city had failed to provide the needed security at the concert. The city settled the suits for millions of dollars and, to make matters worse, the television special didn’t even generate enough money to build the park. Consequently, Diana agreed to pay for the playground out of her own pocketbook.




For me, the film Gangsta Mafia was my Central Park before the storm. The project started out just like a sunny day in the park, and most of us involved were unaware of the approaching storm. However, the storm did come, and its name was Anthony Shorter. When I first met Anthony, he worked for Disney. I met him on AOL gay chat room. We tried dating for a minute, but I kept catching him cheating. Since there were no real romantic feelings, it was just simpler to be friends. Besides, he seemed to have connections. He took me to premieres and introduced me to celebrities like Lisa Raye, Rockmond Dunbar, AJ Jamal, and Derek Luke. These stars actually stopped by his office.

with Rockmond at SoundBoy. I am even in my official shirt

He was short, but he talked big. The planned name for the project was Gangsta Mafia and we would shoot it in twenty-two days. It was the story of the Italian mafia trying to take over the drug trade from two rival gangs in Los Angeles. Anthony and I created the story outline but my friend Darryl Wharton ghostwrote the actual screenplay. We knew the formula that Hollywood buys, so we were sure to include certain elements in the script. We had urban drama with the gangs. We had a love story between the mafia kingpin’s daughter and one of the gang members, echoing a Romeo and Juliet romance. We included rappers and comedians because we knew that Hollywood loves rappers and comics. We had hot heterosexual sex scene and an even hotter gay rape scene. The story ended with important, positive messages about the need for gang truces and unity.




Casting was a nightmare, with real gang members showing up to our offices to audition along with scores of actors from all over Los Angeles. So many talented people showed up. That’s when I learned how movies really get made -- the business is not about talented actors, it is about who will sell your film. I also witnessed the numerous favors a producer must call in to get a movie made. Anthony wanted to put his nephew, a budding rap artist, in the film. His nephew was actually very good, but Anthony later figured he needed someone who was already recognizable to audiences. He found a guy named Nomadd who said he was formerly a member of 50 Cent’s group G-Unit. Although it was hard to get Nomadd to do a convincing read, Anthony wanted to profit from the fact that he was part of the G-Unit posse. Therefore, he gave the lead role to Nomadd. Anthony also approached various local comedians about appearing in the film and, because he had worked with them previously, they were on board without too much drama. Then we got a headshot in the mail that made us all go, “What da fuck?” The name on the 8 by 10 glossy was Joey Buttafuoco.




Buttafuoco had become a media sensation back in 1992 when his underage mistress, Amy Fisher, shot his wife, Mary Jo Buttafuoco, in the face. Fisher received jail time for the shooting and Joey went to prison for having sex with a minor. However, television news and sitcoms couldn’t seem to get enough of him, and upon release from prison he moved to Hollywood to use his fifteen minutes of fame to secure a few movie roles. Anthony felt that Joey was our ticket to stardom. He cast Joey as the Italian mafia leader, although Joey had a Brooklyn accent. Joey was warm, kind, funny, and easy to get along with, and the role would be the biggest offered to him in a film at that time. Anthony started sending out press releases like there was no tomorrow, announcing Joey as one of the stars in Gangsta Mafia. Stories about Joey started popping up all over the internet. It made for great press, but in some cases, his notoriety presented an obstacle. As I was trying to secure product placement deals for the film, certain companies such as Ray-Ban would only send us product with the provision that Joey did not wear any of it. They did not want a celebrity like Joey, someone more infamous than famous, associated with their brand. Other companies would not have anything to do with us at all, simply because Joey was appearing in the film.






In general, things got progressively worse as the first week of filming wore on. Where Anthony had not set up credit accounts, he wrote checks, and he was writing them all over town for locations, trucks, and catering. He had even written Darryl and I checks to cover our living expenses during the production. On the seventh day of filming, as I was getting gas for one of the crew trucks, I realized something was wrong. My ATM card would not work at the pump. Because so many other things needed to be addressed at that moment, I did not have time to deal with the problem. We were shooting a very difficult scene that day, outdoors in Long Beach, with real gang members. It involved cars, guns, and a gay rape scene in an alley. Catering had not arrived on time, the craft services food had run out, and people were becoming hungry and disgruntled. Anthony was not on set and made himself very unavailable that day.

Now I see how she schemed and finally 

Worked her way in between 

She planted seeds of mistrust 

To make us fight unaware 

Her comforting ways when I would cry 

Shadowed the look of triumph in her eye 

Just like a snake on the limb of a tree 

A friend is an enemy you can see

Everything was going wrong. I was juggling too many hats to be effective in handling any one thing. When it was time to shoot the rape scene, we discovered that the main actor was wearing Mickey Mouse print boxers. Darryl turned to me to me and said, ”Get him in some white underwear, now!” Normally as producer, I would have told Darryl to kiss me where the sun don’t shine. However, since I was technically also the costumer for the film, I had to take responsibility. I did not have any white underwear handy and did not have time to run to a store, nor did I have any money to buy any. What I did next even I cannot believe to this day. I took the actor aside and explained the situation, telling him that the only pair of white underwear available was the pair that I was wearing myself. It was ninety-five degrees outside and we had been working since 4 a.m. The actor, a former gang member who had never acted in his life, said, “Let’s do this.” He put on my sweaty drawers, went out, and did his scene. I remain blown away to this day when I think about the dedication of that actor.

That night when I returned home, I checked my mail and found out that, my rent check had bounced and that my bank account was in a negative two thousand dollar deficit. I shut down filming for the next day. Funny thing is, the next day we were scheduled to shoot a jail scene with comedian Rodney Perry(of the Monique Show), Joey and Anthony, and ironically Anthony had cast himself in a cameo role as an inmate. On top of that, Joey was arrested two weeks later for something illegal with the IRS.

The devil's workshop is a busy place 

On top of evil there's an innocent face 

Oh, on top of evil he puts an innocent face 

She was just like a spider 

Only twice as smart 

We tried to give Anthony a chance to make things right. He claimed that he was going to settle the payroll issue and in a few days Darryl and I would be paid. All he needed to do was cut a trailer of the movie for the distributor, and then we would have the cash to keep filming. Darryl and I were skeptical, but we kept moving forward. After we began selecting scenes for the trailer, Anthony gave one of the cameras to Darryl so he could shoot extra street footage and the Los Angeles skyline. I worked with an editor over the weekend to select the best scenes to compose an eye-catching montage. I wrote the narrative for the trailer and taped my voice-over standing in Anthony’s tub. The bathroom had become our makeshift recording studio, and it made me think of the famous “Snake Pit” at Hitsville. To create the "Motown Sound," Berry Gordy housed the recording studio in the tiny basement of the building known as Hitsville. It was nicknamed “the Snake Pit."





The real problem hanging over our heads was that the cast and crew were due wages during the second week of filming. Darryl made a phone call to the payroll company and found out that Anthony never signed a contract with them and had never made a deposit into the account. In addition, someone discovered that Anthony had written fraudulent checks to all the locations, including the nite clubs The Mint and The Bungalow Club where scenes had already been shot for the film. Demanding answers, Darryl, his director of photography, and his assistant director, met with Anthony at his home. An argument ensued and Anthony told them that if pressed any further, he was going to go get his gun. Anthony demanded his camera back and Darryl refused, so Anthony began to make threatening and harassing phone calls to Darryl after he left that night. The calls became intense, and the next night we discovered some thugs standing outside of the apartment that Darryl and I shared. We both decided it was best for us to go away ourselves for a while, and we stayed with different friends across town. Anthony filed charges against Darryl for not returning the camera, but the judge dropped the charges when Anthony never showed up to court.


I still get calls from the LAPD, asking me if I know of his whereabouts. The next time I saw him was when I turned on the Real Housewives of Atlanta. I suddenly got a chill that ran down my back. I was watching with Clarence Reynolds and we both looked at each other because no one would have believed what we were seeing. He had gone through the Tony experience with me. It was no surprise that the “party planner” was the highest rated episode of The Real Housewives. They even used the clip for the opening of the current season. It was the only thing REAL about the REAL Housewives of Atlanta.

with NeNe Leakes at the Leimert Park Book Fair

Cause what you got that'll make you lose 

And then turn around and step in your shoes 

I said they'll turn around And step in your shoes 

So you better keep an eye on your close friend 

You better watch out for your close friend 

Don't trust nobody Don't trust nobody 

Keep an eye on your close friend

30 Minutes Before Midnight: Hair

30 Minutes Before Midnight: Hair: "I watched and cringed today when I observed the woman with the badly done weave sitting in the sauna next to me. What must be growing und..."

What Are You Doing for National Coming Out Day?

In the wake of the Bishop Eddie Long scandal and recent gay suicides, author Dale Madison releases his second book, Sissy Sammy in the Land of WEHO 90069. The story, an illustrated fairytale tackling the coming out of the closet experience, follows Sammy, an effeminate boy from Compton who ends up in West Hollywood after a bullying experience trying to find his way back home. The Wizard of Oz inspired story addresses homophobia, gay bashing, suicidal thoughts, name-calling and the history of the gay rights movement.

 

As part of National Coming Out Day, Dale Madison, will hold a staged reading of Sissy Sammy for In The Meantime Men’s Group, a Los Angeles community service organization that enriches, empowers, and extends the lives of inter-generational black men, respectful of sexual orientation, through social, educational, health and wellness programs and services. 

• Tragically, LGBT youth are taunted, harassed, bullied and even worse. One in four becomes homeless after coming out to their parents.
• The risks to LGBT youth during their adolescent years are greater than heterosexual youth because of the need to please parents can also involve suppressing same-sex desires and behaviors triggering negative emotional responses. This triggers isolation when combined with peer pressure, suicide seems like the easy way out.

 

Dale Madison has always given himself permission to be out the closet. He explains that in detail in his memoir, Dreamboy: My Life as a QVC Host & Other Greatest Hits. Madison is currently in a Masters in Education program at Antioch University. His thesis tackles the use of arts as a way to make an impact on LGBTQ youth at risk of suicide and bullying 

“This book is my first step at trying to make an impact on these kids. I have been working on this project for two years, but I could never have imagined the number of suicides to come out of the last month. I feel like something is about to change in the horizon for LGBT people.” says Madison. “In a strange way, I almost have to thank Eddie Long. Out of this horrible scandal, maybe the Black church will start dealing with homosexuality differently, but most importantly people will begin to understand why we cannot stay in a closet.”

He references pop culture musical lyrics and gay figures quotes come from Audre Lorde, Christine Jorgenson, Bayard Rustin, and James Baldwin. Madison offers vocabulary words and discussion questions as a foundation of a lesson plan.

“I read the story to a group of youth at LifeWorks, a gay mentoring program in the LA Gay & Lesbian Center.” Madison adds,” I wanted their take on the stereotypes. Many of them identified with the characters as real people in their lives. One kid raised his hand and asked what rough trade was. I answered think rent boy and he got it. I laughed to myself:

Oh my God, I think we have a gay generation gap here!”

WHO: author Dale Madison

WHAT: FREE staged reading of Sissy Sammy in the Land of WEHO 90069

WHEN: 7:30 PM Tuesday: October 12, 2010

WHERE: In The Meantime Men’s Group 4067 W. Pico Blvd. LA CA 90019

For more info: 323-733-4868 or 323-758-1337 info@damngoodman.com or inthemeantimemen@aol.com

I NEED MUSCLES

Inspirations for blogs come at the strangest moments. I was in the tree pose in yoga class,back aching and tummy trembling. I looked at the skinny male instructor executing each pose with ease and remembered I used to teach an aerobics class back in the 80’s. (Sidebar: If I were a heterosexual man in the back of a yoga class, I’d be in ass heaven There were only three guys in the class today and they were further back in the room than me!) The music of Inda Arie was gently taking me to that place in the practice where we say “namaste” (I bow to you) but my mind wanderd to Diana Ross, Muscles:

She said she wants a man to always understand

But that's alright for her, still it ain't enough for me

She said she wants a guy to keep her satisfied

But that's alright for her, but it ain't enough for me

They say they have to see his real personality

But that's alright for them, still it ain't enough for me

I need what the eyes can see, ah

(HIS ANATOMY)

My fellow blogger Corey Jarrell hit me up the other day humorously frustrated by the slim attractive looks of these young boys now-a-days. It was ironic that I was in the second week of my dedicated 5 days a week commitment to the gym. I had been going irregularly. Mostly I go to my yoga class on Thursdays and Sundays and since I bought my new Vibrams, (great for walking, hiking or jogging. My legs really feel the burn)

I’d been doing a 30 minute treadmill with Supremes disco mixes on my IPod. I recently had a rude awakening. My weight, which had stabilized at 216lbs, suddenly jumped 7 lbs to 223lbs! Then I read a Facebook posting from my diva girl Mashica who said that Satan had recently jumped on her scale and was exactly seven pounds! I upped my cardio to 60 minutes and went back to circuit weights! This was as scary as those bedbugs infesting all across the country!

If that's alright for them, still it ain't enough for me

I don't care if he's young or old, just make him beautiful

I just want some strong man to hold on to,

I want MUSCLES

Now I can admire a muscle man on television and magazines all day long, but when it comes to “luvin” in the bedroom, I LOVES me some chubby men. I loves me sum chubby, BUT I do not want to be chubby. I know it sounds weird in the body-obsessed society we live in. I am an admitted chubby chaser. I like my men to have a little jiggle in their swagger. I prefer to rub a round tummy like a Buddha for good luck. Man boobs are a turn-on. Rock hard abs, sculpted arms and an ass to bounce a dime off are great at a strip show, but in bed, I need to feel flesh that moves. I even recorded a poem about it (“Big Boiz” click #6 on the Sound Click player to the right):

Make him strong enough from his head down to his toes 

And don’t get me to talking about toes! During my shallow years, my friends can testify I have dated some awful men just because they had pretty feet and let some of the most wonderful guys pass me by because of some jacked-up toes!

Muscle man, I want to love you in the sun, oil on your body

Come with me, high in the cascades

Let this be, we've got this thing made

Lost at sea, hide the desert

Stay with me, you won't regret it

Take this love, so deep to swim in

Come to me, and let the love in

She said she wants a man to always understand

But that's alright for her still it ain't enough for me

I don't care if he's young or old

(Just make him beautiful)

I used to tell people years ago the other thing Oprah and me had in common besides Baltimore was the fact our weight zoomed up and down. During my adult years, I watched my waist go from 29 inches to 38 inches. During my modeling years, I worked as a fit sample model. I could wear the sample suits right off the racks for the buyer’s shows. Then I got into a relationship. When you are attracted to thick boys, you forget part of the courtship involves eating. I like my thick boys (and girls) happy and food makes them happy, so we eat! Two years with my wife gained me 20lbs, which I lost after the divorce, but the next seven with my partner had me finding that 20 plus 10 more pounds over the course of that roller-coaster ride of a relationship. That became my pattern. Lose the weight and find a thick sexy man and then get happy and gain the weight back.


By the time I hit my forties the additional factors of high blood pressure and cholesterol added risk factors that made losing weight more of a necessity than a pleasure principal. The only difference this time was as you get older, dropping weight is a bit more of a challenge. Less physical social activity like going to the disco, teaching aerobic classes and biking to work and more social activity like good red wine, cheese, red velvet cake and feeding ya man chocolate covered strawberries in bed became the norm. A few years ago, I grabbed hold of my waistline and did a reality show called Ship Up Shape Out and lost some weight on a seven day cruise to lose.



It is time to get those disciplines back. The weight crept up on me this time and I wasn’t even in love! NOW I’ve got to work that body. Now whenever a dude hits on me and asks “Why is a nice guy like you single?” I have to be honest and answer, “Being single is healthier for me, I eat less, exercise more and I can get into my favorite clothes.” I still crave my big boiz, but I can even only have them in moderation…30minsB4midnight

Still, I don't care if he's young or old

(Just make him BIG & Beautiful)

I just want someone I can hold on to!!

No Matter what SEX you are... We gonna be married we are

Adapted lyrics from:

Supremes No Matter What Sign You Are Lyrics

The moon shines bright above

And the courts declare it’s my night for love

Ah the beat of my heart

I feel a good vibration

Saying you and me baby

Would make a good combination

There's no need for Prop 8 to survive

Can't you see the law is defied!

I love you boy,

Now I can marry you boy

No matter what sign you are

You're gonna be mine you are

Can't let the homophobes chart our destiny

When I heard the news that Chief U.S. District Judge Vaughn Walker overturned California's gay-marriage ban Wednesday in a landmark case that could eventually force the U.S. Supreme Court to confront the question of whether same-sex couples have a constitutional right to wed, I wanted to dance and shout it to the rooftops. I did not because I was standing in my jockstrap in the locker room of a local gym. One television plays ESPN non-stop and the other plays CNN. I watched as the naked towel draped men slowly approached the television in silence. Many said nothing. It made me think where I was when I heard the Rodney King verdict or where I was when Martin Luther King Jr. was assassinated. The reporter repeated it over and over again:

"Proposition 8 singles out gays and lesbians and legitimates their unequal treatment," the judge wrote in his 136-page opinion. "Proposition 8 perpetuates the stereotype that gays and lesbians are incapable of forming long-term loving relationships and that gays and lesbians are not good parents." Walker methodically rejected every argument posed by sponsors of the ban in response to a lawsuit filed by two gay couples who claimed Proposition 8, the voter-approved ban, violated their civil rights.

“OKAY, OKAY already!” One guy shouted at the screen. I smiled to myself and imagined how many guys in that locker room were gay like me cheering inside. I mean come on, raise your hand and snap your fingers if you do not know at least one gay person.  How many Americans know someone in their immediate family who is gay? It is generally argued that one person in ten is gay. The 2000 census report says 2-3% of the United States population live in same sex co-habitation. Gay people have existed since the beginning of recorded time.   I used to say to people put a face on gay. Try to put aside religious convictions, political affiliations or stereotypical images (rumors, falsehoods, urban legends). If a gay family member or gay friend you love wants to get married - but can’t - how would it make you feel?  Put their face on your image of gay marriage.

No matter what sex you are

You're gonna be married you are

The beat of the heart my love

Is stronger than the homophobes

This court order just lit my fire

Equal rights fill me with such desire

I love you boy,

Now I can marry you boy

No matter what sex you are

You're gonna be mine you are

I know the final stages of this decision will not be felt for years, but I imagine all the things that will happen as a result of gay marriage. Gay couples are able to care for each other in times of adversity rather than relying on the state. Healthy same sex marriages provide positive role models for young gay people. Recognizing those images could reduce the number of gay teen suicides. Gay sons and daughters will feel more involved in the activities of adult family life. . The need for adoptive homes of children in general would benefit from gay marriage. Gay couples seek to adopt children because they cannot conceive in the traditional sense. The result is more children get to find homes of loving families. The emergence of the gay family unit goes beyond gay teens. Gay marriage would allow same sex couples with the same basic rights heterosexual people take for granted. Gay people have children and those children need the stability and economic security provided by legal marriage. Both partners will have equal shares in legal and health decisions.  Families headed by same-sex couples would then have equal access to employer-provided health and retirement benefits.  Gay spouses would be entitled to the same sick and bereavement leave to care for a legal partners and non-biological/adoptive children.  Equal access to pensions, workers compensation, Social Security death benefits and spousal benefits would be taken for granted.  How does it feel to have a civil right denied your sister or her children from a gay union, because of her sexual orientation or lesbian relationship? Put your most beloved family member’s face in that situation.

Can't let the homophobes chart our destiny

Oh no matter what sex you are

You're gonna be mine you are

Need you beside me love

Only you can guide me love

Marriage is an important heterosexual cultural symbol and a good example of how white heterosexuals are privileged.   Marriage is the last legally sanctioned discrimination in America. It was not so long ago that interracial marriage was forbidden. The Supreme Court of the United States struck down laws banning interracial marriage in 1967. That same civil right should be extended to gays today. The opponents of interracial marriage hid behind religion and “family” values to justify denying mixed couples the right to marry. Since that ban has been lifted, we see the institution of marriage has hardly crumbled.  Ask a mixed race person today how they would feel if their parents had not been allowed to marry.

Lezzies, Sissies, Dykes

Trans, Bisexuals, Fem Queens

Lipsticks, Tops, Bottoms

Vers, Rough Trade, Drag Queens

I don’t care about your gender sign

All I know is when same sex lips touch mine

We can be legal boy, really legal boy

No matter what sex you are

You're gonna be mine you are

In fact, multiple marriages by celebrities make one wonder whether marital laws should limit the number of marriages for all people – gay and straight!  This glorious game of “I do” and “I don’t right now” has been played out numerous times by celebrities like Elizabeth Taylor who had eight husbands and Zsa Zsa Gabor who married nine times. Lana Turner said “I do” eight times, while Billy Bob Thornton bought five wives wedding rings. Joan Collins and Geena Davis had five husbands each, while Star Trek’s William Shatner only married four times. Liza Minnelli married four men as well, but two of her husbands were gay, which is okay because the gay person married a person of the opposite sex. Jerry Lee Lewis had six wives, and one of them was his underage cousin (which is legal in some states). Sometimes the number of heterosexual marriages pales in comparison to the length of the marriages. I texted my former domestic partner:

ME: “Will you do me the honor of taking my hand in marriage?”

He responded back from Texas

HIM: “LOL You got it! I know it is unconstitutional to refuse it!

ME: The fight ain’t over yet. If I were ever to get the right to marry somebody, it would be you”

HIM: “And I’d say yes”

ME: “What? This from the same guy who did not believe in marriage when we were             together?”

HIM: “LOL Well You know how that goes. If it is an equal institution, I’m cool with it”

(Yeah I know, just make sure it’s the right sized carat!)

On my bended knee…

30minb4midnight

Dirty Looks

DIRTY LOOKS
(Nude Modeling)

When you look into my eyes

Tell me what you see

You're the object of my desire

My secret fantasy

(From the Diana Ross Red Hot Rhythm & Blues album, 1987)

A fellow blogger Corey Jarell (COREY@ I'LL KEEP YOU POSTED!)
wrote a recent post on nude modeling and it made me re-visit my book,  
DREAMBOY: My Life as a QVC Host & Other Greatest Hits.
Below is an excerpt:

Dale likes people, so he chose to be a telephone operator. That’s how the poster read. My first taste of commercial modeling came when I was twenty-years-old, and I appeared in a print advertisement sponsored by the Maryland State Department of Employment. The agency did a series of posters highlighting real people who worked jobs normally attributed to the opposite gender. Featured were female construction workers, male nurses, female police officers, and me -- one of the first male telephone operators in the state.
Working for the Chesapeake and Potomac Telephone Company, otherwise known as “Ma Bell,” was my first real job after I graduated from high school in 1977. Day in and day out, I saw the faces of the “lifers” who worked there, people who hated the job but stayed on for the benefits. I couldn’t imagine staying at a job I hated for twenty years, like my brother would end up doing. But my mother was so happy when I called to tell her that had I passed the telephone operator test and was starting a job that had a paid vacation and a health insurance plan. She said, “Boy, you got a good job with benefits. Don’t mess that up.” And I tried, Lord -- I tried to stay with it.

I did love people, but giving out telephone numbers all day wasn’t my idea of relating to them. I loved the attention I got the day the cameras arrived and took the picture of me for the advertising campaign. The camera man flashed his bulb, capturing me in a moment as I flipped through a huge paper directory. Then, as quickly as it had happened, it was over and I was back to the real world of being just like everyone else. “Hello, directory assistance -- may I help you?” That was my standard, never changing phone greeting. Directory assistance operators were “programmed” to sound alike, and if you knew what was good for you, you’d better stick to the script or risk being canned. You were to answer the phone quickly and correctly, then get the person off the line as soon as possible so you could pick up the next call. That was the drill.
Speed and accuracy were crucial, while imagination was taboo. I spent three years with the company, confined to a desk, answering 411 calls. (Even though I spent the second year in a mental hospital, it still counts because technically I was still employed by the company. So I say that I had one year off in the middle, with good behavior.) If I stayed there, I could expect to do the same thing for eight hours a day for the rest of my life. It was not an enticing prospect.

Male operators were relatively new at that time, and their voices took callers by surprise. Often, people wanted to engage me in conversations. But frequent compliments on my “wonderful speaking voice” only delayed my getting calls turned around as quickly as possible. Working for the phone company did, however, allow me to move out of my ghetto, basement apartment in northwest Baltimore and into a really nice building in a gay area downtown. Then one day in 1979, I called in sick and never went back.

I needed to find a job that made me the center of attention, just like I had been that day during the photo shoot. I got the idea to become an art model after seeing an episode of Alice, a television sitcom based on the 1974 movie Alice Doesn't Live Here Anymore. In one particular episode, Alice and her sassy, man-hungry waitress co-worker, Flo, (the character who popularized the catchphrase “Kiss my grits!”), take a break from their jobs at Mel’s Diner to attend an art class. When they arrive, to their surprise, they are given the assignment of sketching a naked male model. The sexual tension and innuendo that ensues makes for great humor between the two ladies; Alice is uncomfortable with the nudity while Flo, true to her character, overtly gives the male model “dirty looks.”
I envied the position of being desired, admired, and yet untouchable. My interest in art had led me to enroll in a night course in photography at the Maryland Institute College of Art, (MICA), and while taking class one evening I saw a flyer that read, “Seeking nude art models.”
It seemed like the perfect fit. I loved being naked. As a child, I was always comfortable wearing as little clothing as possible. During the hot summer days in Portsmouth, Virginia, my siblings and I ran around in our white cotton underwear. In high school, my best friend and I ran naked across the auditorium stage one day, during a play rehearsal when the drama teacher was not there. Back in 1975, such a stunt was called “streaking.” There was even a song made about it called “The Streak,” by Ray Stevens. Being naked in public gave me such a rush.

During my summers as a teenager, when I would spend time in Baltimore at my father’s apartment, I would walk down Gwynn Falls Parkway to the park at night and take my clothes off. Hiding them in the bushes, I would run naked through the park. How I never ended up running into the police or a rapist is testimony that God looks out for fools and babies. I eventually stopped my nude runs at night when I lost my house keys in the park. Not that I had my address on them, but I got scared that someone would find them and come after me. It was a rude awakening, but I still enjoyed nudity.
That next Thursday night, I arrived half an hour early just to make sure I would find the right room. A buddy came with me because he could not believe I would really pose naked and wanted to see it for himself. It was a night class for alumni students, and they ranged in age from late thirties to early fifties. Another model was also scheduled for the class, and when he arrived he started undressing right there in the middle of the room. I found that odd, because when I thought back to that episode of Alice, I remembered that the model character had a dressing room. I remained sitting in the corner of the classroom, feeling very much overdressed in my vintage winter coat, Calvin Klein designer jeans, and ankle boots. But then my buddy looked at me as if to say, “Your turn?”

The instructor asked me and the other model which of us wanted the long pose and which wanted the short pose. The long pose would be the same pose held for the duration of the class period, while the short pose would change every twenty minutes, after each rest break. (Poses were usually twenty minutes on and ten minutes off to rest). I opted for the long pose so that I could study what the other guy was doing on the short poses, then duplicate them the next time around.
On my ten minute breaks, I slipped into my jeans and wandered around the classroom to admire the work of the artists. The alumni class students were not required to work in any specific media, so I could be rendered in charcoal, oils, acrylics, pastels, or even clay. I got to be a favorite among teachers, and a few helped secure private assignments for me, recommending me to pose at the homes of local artists or at other art schools. Many of the art teachers themselves would also approach models to pose for their own private work. From there, word of a good model would get around. Sometimes I also posed for high school students, but for them I was required to wear swim trunks.
When I told my mother what I was doing, it did not surprise her. She seemed pleased that I was doing what made me happy. She moved to Baltimore during my second year of working at MICA and when people asked her what she thought of her son modeling nude, she told them, “It’s not like I have never seen Dale naked. I changed his diapers. It ain’t nothing new to me.”

I loved being naked and being watched. I prided myself on being able to zone out and hold a pose without moving. Standing still, my mind would drift to songs in my head, my favorite movies, grocery lists, and things to do later. When you are twenty-one years old, you feel young and fearless and never question the dangers that could be out in the world. I never thought that the artists who hired me privately might be crazy or be sex fiends. I never once felt I was in any kind of danger. One time, I caught the bus to a late night assignment at a huge, creepy mansion that had been used in the horror film The House on Sorority Row. Instead of worrying about being alone with a stranger in the dark house, my biggest concern was the cold draft coming from the fireplace.
Posing nude for private sessions invited sexual attention, and I was hit on twice during my nude modeling days. A traveling instructor once asked me to pose for him at his apartment in a temporary dorm next to the college. Halfway through the session, he confessed his deep desire for me, threw his arms around me, then pushed his tongue down my throat. I was surprised…but not turned off.
The second incident occurred when a very frail, old, white gentleman was drawing me at his home. He lived with his twin brother, (and I had posed for both of them during an alumni art class), but his brother was not present during our appointment. As the session was ending, he asked if he could put his arms around me before I redressed. I thought to myself, “He’s so old -- he probably hasn’t touched a naked body in a long time. What harm could it do?” He embraced me with the passion of a grandfather, and was so gentle that it never felt awkward. (Although there was still a slight sexual undercurrent present.) I was honored and flattered. He did not undress and never crossed that line again. I felt sad for him because I believe he was so far in the closet that even his twin brother did not know about his desires.

I see the fire

I feel the flame

It gets me every time you look my way.

You know how it makes me feel inside

Come get me with your eyes

Dirty looks…

As much as I loved working at MICA, posing during classes wasn’t always a breeze. There were times I stood in a pose so long that I would pass out. I learned early on that part of a model’s traveling kit included a comfortable robe, flip flops, a blanket to stand on, and a space heater. Sometimes the drafts made posing an extremely frosty experience; I figured I’d have arthritis before I turned thirty. The most frequently asked question by my friends was, “Do you ever get a hard on?” The answer: “Yes.” That usually happened while in a sitting or reclining pose, and once during a wrestling pose with another guy.
I posed for anatomy, watercolor, sculpture, and photography classes, but my favorite class was called “Drawing for the Clothed Figure.” It was during this class that I got to try out some of my costume designs. I would come up with interesting outfits for characters I’d invent, such as the “suave gentleman,” (wearing a tuxedo), an Arabian sheik, a prohibition gangster, or an English count. The instructor loved that I came up with my own ideas. I looked forward to those sessions and often wished I was the artist doing the drawing.

Long before television shows like America’s Next Top Model and Project Runway brought national media attention to modeling and designing careers, I was already posing nude, competing against other models for assignments, and designing original fashion outfits on a shoe string budget. My family and friends see these shows today and say, “This is nothing new. Dale was doing this back in the 80’s.” When I look at these shows, especially the modeling shows, such as TV Land’s She’s Got the Look, VH1’s America’s Most Smartest Model, Bravo’s Make Me A Supermodel, or Oxygen’s The Janice Dickinson Modeling Agency, there is always a competition that involves posing nude. And there is always one contestant who has drama issues around being naked. Television loves conflict and drama. But in the real world, if you are comfortable in your own skin, wearing clothes just becomes an extension of that comfort.

In my lifetime, I have consistently reached for non-traditional jobs -- not because somebody told me I could not, but because I wanted to do them. I am glad I did. Through them I learned anatomy, physical discipline, design construction, fashion show production, and how to market an image. I also learned how to take rejection and not take it personally. Each new artistic venture I embarked upon seemed to unfold before me, as if created just for me in mind. Yes, Dale likes people, and that’s why he chose to be admired, desired, looked at and photographed. Look, but don’t touch. Well…sometimes.

Dirty looks

You're giving them to me again

Dirty looks

I want you to

Just keep them coming

Dirty looks…

I love it when you look at me

Like that, boy

Dirty.......
30 minutes B4 Midnight..but I promise I'll be Clean tomorrow!!!